Κεκραγάριον Πρώτου Ήχου / Kekragarion of First Mode
Lots of performances, scores in the new and old notation and comparative analysis
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Κεκραγάριον Ιακώβου (Ήχος Δεύτερος) / Kekragarion of Second Mode by Iakovos Protopsaltis
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Θεοτόκε Παρθένε Μπερεκέτη / Theotoke Parthene, Mathema by Petros Bereketis
Recordings of all 8 verses from different styles
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Τον Τάφον Σου Σωτήρ / Ton Tafon Sou Soter
Which mode was it originally composed in?
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Δούλοι Κύριον / Douloi Kyrion
The most popular polyelaios, by Petros Labadarios (+1777)
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Λόγον Αγαθόν / Logon Agathon
Polyelaios of the Theokos (Psalm 44)
A popular polyelaios
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50ός Ψαλμός / The 50th Psalm
How should it be chanted?
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Της Μετανοίας / Tes Metanoias
Phrase by phrase analysis of interpretation
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Τον Δεσπότην / Ton Despotin
Proof that the Soft Chromatic fthora does not indicate Second Mode.
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Των Αγίων Πατέρων / Ton Agion Pateron
Doxastikon of the Holy Fathers
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Δοξολογία Βυζαντίου Πλάγιος του Πρώτου Τετράφωνος / Doxology of Petros Byzantios in Plagal First Tetraphonos Mode
The issue of First and Plagal First Tetrahponos
Also about the position of GA in various theseis
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Δοξολογία Ιακώβου Πρώτος Τετράφωνος / Doxology of Iakovos Protopsaltis in First Tetraphonos Mode
The issue of First and Plagal First Tetraphonos Mode
Some rare recordings too.
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Τω Σωτήρι Θεώ / To Soteri Theo
Interesting study in terms of intervals.
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’νωθεν οι Προφήται / Anothen oi Profetai
A masterpiece mathema by Ioannis Koukouzelis.
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Τω Τριτώ της Ερωτήσεως / To Trito tes Eroteseos
A rare example of a composition effect called "Dynamis", as described by Chrysanthos
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’ξιον Εστίν του Μάρκου Βασιλείου / Axion Estin by Markos Basileiou
The so-called "Patriarchal" Axion Estin, attributed by some to Iakovos Nafpliotis who was the first to introduce it in the Patriarchate.
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Δύναμις Γεωργίου Κρητός / Dynamis Georgiou Kretos
The only Dynamis chanted at the Patriarchate apart from the "common one" ("syneithismenon").
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Όσοι εις Χριστόν / Osoi eis Christon
Which mode was it originally composed in?
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Δύναμις Θρασύβουλου Στανίτσα (Μακάμ Φεραχνάκ) / Dynamis Thrasyvoulos Stanitsas (maqam Ferahnak)
An ecclesiastical mode?
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Παραδοσιακά Πατριαρχικά Λειτουργικά / Leitourgika in Patriarchal Tradition
In the chroa of Kliton
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’γιος ’γιος / Agios Agios
Ancient melos of the Liturgy of St. Basil
An example of syneptygmenos (complex) rhythm
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Την Γαρ Σην Μήτραν / Ten Gar Sen Metran
A masterpiece from the Byzantine times
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Αγαλλιάσθε Δίκαιοι / Agaliasthe Dikaioi
Plagal First Mode, Petros Lambadarios, Mousike Pandekte publ.1851
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Κοινωνικά Πέτρου Λαμπαδαρίου / Communion Hymns (Petros Labadarios)
With comments and analysis of score and performance.
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Γεύσασθε / Gefsasthe
A masterpiece from the Byzantine times
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Πληρωθήτω / Plerotheto
An ancient post-Communion hymn
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Χριστός Γεννάται / Christos Gennatai
A comparison of performance styles.
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Χριστός Εν Πόλει / Christos En Polei
Katavasiai of the Forefeast of Christmas
Not chanted in Church today, generally unknown composition by Petros Bereketis.
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Επεφάνης Σήμερον / Epefanes Semeron
Which mode was it originally composed in?
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Λύτρωσιν Απέστειλε / Lytrοsin Apesteile
Communion Hymn of Christmas (by Daniel Protopsaltis)
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Καταβασίες Θεοφανείων / Katavasiai of Theofaneia
The simplification of Patriarchal interpretation through time
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Ιδιόμελα Μ Τεσσαρακοστής Ιακώβου / Idiomela of Iakovos Protopsaltis
The only examples of slow sticheraric style still in use in parish practice.
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Μή αποστρέψης / Me Apostrepseis
A classical example of analyseis of the classical theseis
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Το στάδιον των αρετών / To stadion ton areton
A comparison of interpretations
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Προκαθάρωμεν Εαυτούς / Prokatharomen Eautous
A comparison of interpretations
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Πάτερ Αγαθέ / Pater Agathe
Comparative analysis of various performances
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Mωσής Τω Καιρώ Της Εγκρατείας / Mosis To Kairo Tis Engrateias
Δοξαστικόν της Κυριακής της Ορθοδοξίας / Doxastikon of the Sunday of Orthodoxy
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Oύκ Έστιν η Βασιλεία του Θεού / Ouk Estin e Vasileia tou Theou
Doxastikon of Lent
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Βουλευτήριον Σωτήρ / Voulefterion Soter
Slow kathisma of Holy Week
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Εξέδυσάν Με / Eksedysan Me
Doxastikon of Holy Friday Matins
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Ήδη Βάπτεται / Idi Vaptetai
Doxastikon of Holy Friday Matins
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Εγκώμια / Lamentations-Praises (Engomia)
What is traditional and what is not?
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Χριστός Ανέστη / Christos Anesti
Apolytikion of Easter, scores and recordings
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Αναστάσεως Ημέρα / Anastaseos Hmera
Doxastikon of Easter
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Τη Υπερμάχω / Ti Ypermaho
Lots of performances for comparison
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Κρατήματα / Kratemata (Terirem)
History, purpose, description, discussion
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